Patrick Marber's Closer: A Classism Analysis
1997 saw Patrick Marber's award-winning play Closer make its premiere in London; seven years later a film adaptation was released, directed by Mike Nichols and going on to win a BAFTA and two Golden Globes. On my last viewing of the film, with a friend as au fait with the plot as I am, I pointed out several details that related to classism. This is not, of course, the main theme that suits the work, as the prominent idea of the narrative is that, "the truth doesn't bring us closer" - the question of absolute honesty being paramount to a relationship is the story's greatest debate, but with character traits that crack archetypes in a post-modernistic manner, I want to discuss the role and portrayal of each figure's class. Note: For the purposes of this piece, a combination of the film and play will be used. All characters, settings, time differences etc. will follow that of the 1997 play, as will the majority of speech, but due to not having a text on hand (...